Jimmy's Hall , 2014 Jimmy's Hall , 2014
Film Date :   22 May 2014
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Jimmy's Hall , 2014

Jimmy's Hall , 2014

Jimmy's Hallis a 2014 film by British filmmaker Ken Loach .

It concerns the deportation to the United States in 1933 of Jimmy Gralton , who led the Revolutionary Workers' Group , a precursor of the Irish Communist Party, in Leitrim . It stars Irish actor Barry Ward , along with Simone Kirby and Jim Norton . The title refers to a rural dance hall built by Gralton to expound his political views.

Palme d'Or in the main competition section at the 2014 Cannes Film Festival .

In 1932, after ten years in the United States , Jimmy Gralton returns to his native Ireland to help his mother run the family farm. A new government is in power in Ireland ten years after the end of the Civil War . To meet the needs of the young people of County Leitrim , Jimmy, in spite of his reluctance to cause upset to his old enemies (the Church and the local landowners), decides to reopen the 'Hall', a young people's centre, free and open to all, where the local young people meet to dance, study or talk. Success comes quickly, but the growing influence of Jimmy and his radical ideas is not to the taste of everyone in the village.

The film centres around political tensions between the Catholic church, the state and the republican movement which Jimmy through his pre-emigration history is connected. Jimmy's political alignment is not central to the film, he suffers more from guilt by association with Communism by being a free-thinker committed to the liberation of ordinary people through education and also by having experience from America of Jazz (the rhythms and passions of "darkest Africa" are warned against in one church sermon warning of the perils of The 'Hall'). Jimmy is not wilfully aligned to communism but the communist press support and encourage participation in the study and dancing that evolve as key activities at the 'Hall'. The 'Hall' at the start of the film was previously known as the Pearse-Connolly Hall reflecting the fact that Jimmy had left Ireland shortly after the failed Easter Rising which famously gave James Connolly and Padraic Pearse martyr status and this clearly underlines the local community's alignment to the old republican movement.

The power and hypocrisy of the church is demonised in the film by aligning it to the beating by her father of a free spirited young girl who laughs at the priest while she is named and shamed for attending a dance at the Hall in a church service. The pious religion of Jimmy's mother is also contrasted against her love of learning and ability to explore popular non-religious literature, which has aligned her family inadvertently to the struggle of Communism for liberation of working people. It is clear throughout the film that Jimmy and his mother are not aligned to any struggle above and beyond the necessities of their local community; however, this does bring them into involvement with attempting to prevent an eviction of a family who are displaced from their home.

This eviction and the assertive re-instatement of the family along with Jimmy's support and oratory to those gathered at the reinstatement draw him to the attention of the Gardaí . This starts a chain of events which ends in Jimmy's expulsion from Ireland based on the flimsy premise that he holds a US passport and that political agitators have previously been expelled from the country on such grounds. The lack of a fair trial is emphatically explained in the film by a speech given by Jimmy's mother at a rally surrounding the expulsion.

The intention of the film is clearly humanisation and justification of the left wing politics that the film's director Ken Loach is himself aligned to. The behaviour of the state's police is shown and explained to be occurring at a time when Stalin was in full control of the Soviet Union and it is obvious that the state and church are fearful of forces that threaten to destroy them, but through a dialectic process they become the demon they fear. It is this tension between the ideals of Christianity and the fear of the church and its natural tendency to be reactionary that is the central issue that the film explores.

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